“Seth material” search engine (Jane Roberts)

So does the human individual rise up in victorious distinctiveness from the ancient and yet ever-new fountains of its own soul. The self rises from unknowing into knowing, constantly surprising itself. As you read these sentences, for example, some of your knowledge is conscious knowing and is instantly available. Some is unconscious, but even the unconscious knowledge is knowing in its own unknowing.

You are aware, alert, and participating in many more realities than you know as your soul expresses itself through you. That consciousness of your usual daylight hours, the ego consciousness, rises up like a flower from the ground of the “underneath,” the unconscious bed of your own reality. Though you are not aware of it, this ego itself emerges, then falls back again into the unconscious, from which another ego then rises as a new bloom from the springtime earth.

The eye rises out of the physical structure. The ego rises out of the structure of the psyche. It cannot see itself, as the eye cannot. Both look outward — in one case away from the physical body, and in the other case away from the inner psyche to the environment.

bring all my life to newly rise in wisdom

And there are high adventures that rise to circle the moon,

In those terms, the great religions of your civilizations rise from myths that change their character through the centuries, even as mountain ranges rise and fall. [...]

The world’s ideas, fantasies, or myths may seem far divorced from current experience — yet all that you know or experience has its origin in that creative dimension of existence that I am terming Framework 2. In a manner of speaking your factual world rises on a bed of fantasy, myth, and imagination, from which all of your detailed paraphernalia emerge. [...]

Now: Myths are natural phenomena, rising from the psyche of man as surely as giant mountain ranges emerge from the physical planet. [...]

As the present life of any individual rises from hidden dimensions beyond those easily accessible in physical terms, and as it draws its energy and power to act from unconscious sources, so does the present physical universe as you know it rise from other dimensions. [...]

[...] You are not only creatures of corporeal being, forming images of flesh and blood, embedded in a particular kind of space and time; you are also creatures rising out of a particularized dimension of probabilities, born from dimensions of actuality richly suited to your own development, enrichment and growth.

[...] At the same time the background itself will be alive, so it is difficult to tell whether the living background propels him outward, or whether he himself, from his own power, seems to rise out apart from the background. Or whether he has been thrust outward from the background of which he is part, a living focus rising out of the background, a part of consciousness rising out of a larger, undifferentiated consciousness implied in the background. [...]

The painting itself, and any painting, rises out of the empty board through the force of your own emotions, and the board becomes the focal point that collects, draws together and directs the energy from your inner self, into form.

For now the figure rises from the background and dominates it, is thrust forward and you catch it; but may it not also once more return to that background in the instant that you turn away, and emerge anew. [...]

So some Americans have become tired of this badge of individuality, and they are ready to throw it over, either to fundamental Christianity, which is again rising, or to a number of various Eastern religions. [...] All That Is composes the fabric of the universe—which is everywhere unified, since nothing exists outside of it, and every wave or particle, or field or whatever within it, consists of a divine psychological fabric that is populated by individuation, sensation, meaning, intent, in which the most innocuous shadow of an electron rises up joyfully and shouts “I am I, and not you.” [...]

[...] A note to Ruburt: to impress that universe on a conscious level, you stress your individuality, while at the same time trying to realize that your uniqueness rises each moment from that divine psychological fabric. [...]

[...] Your feelings have electromagnetic realities that rise outward, affecting the atmosphere itself. [...]

[...] While your day-to-day feelings may rise or fall, these characteristic feeling-tones lie beneath.

Sometimes they rise to the surface, but in great long rhythms. [...]

And feel your own energy now rise and accelerate. [...] Feel it rise up ever quicker and faster. [...]

[...] There was stuff I’ve also forgotten though that made me waken at once, furious; some connection between the two books, also whole bunches of feelings rise to my mind about the disclaimer being like a sign or statement that I’m a liar or that my work isn’t truthful or like, hell, the letter A for adulteress they used to pin on wicked women.... [...]

(9:37.) Ruburt needs your help once again to reassure him that relaxation is safe, that it is safe to let go, that he will not fall into darkness, that his muscles will actually become stronger as they relax, and that his creativity rises to the surface when his body and mind are more relaxed. [...]

Now: These units of which we spoke earlier are basically animations rising from consciousness. [...]

These emanations rise as naturally as breath, and there are other comparisons that can be made, in that there is a coming in and a going out, and transformation within the unit, as what is taken into the lungs, for example, is not the same thing that leaves on the exhale stroke. [...]

(As soon as she opened the double envelopes, Jane said the object looked like a man to her, with either horizontal edge uppermost, and that she thought this impression had given rise to the photograph data. [...]

[...] Again, Jane thinks the dark pigment on the object gave rise to this data, with the date perhaps referring to the year a picture of herself was taken.

[...] The paint blot on the object reminded Jane of a man, which could give rise to the man data here. [...]

[...] A rise of stock, a good rise for a three year period, a levelling off, and a drop.

He saw himself as rising above the serpent, which was a symbol of unconscious knowledge. Yet the serpent would always mystify and attract man, even though he must stand upon its head, symbolically speaking, and rise from its knowledge.

His physical condition had been so poor however that rising alone, he had that mood in any case to face. [...] An alternate suggestion is for each of you to rise very early, well before the normal working day. [...]

Working late at night, or rising in the middle of the night, still offers advantages in that there are no conflicts in terms of household chores, or even impulses. [...]

Beyond that platform (which is not your own native one) is another that operates as “high art,” in which activity is for its own sake, for the joy and discovery of the performance or execution, a high play that sets the needs of the world at least momentarily aside, rises up above specifics into those vaster realms from which specifics emerge. [...]

[...] Inner invisible relationships are allowed to rise, the acknowledged recognized reality viewed through the lenses of these emerging relationships. [...]

[...] Meanings are allowed to rise and fall where, when using your established ideas of language, meanings are instead rigidly attached to given experiences so that perception must be held within certain well-defined limits.

The living vitality of a cordella rises out of the universe’s need to express and understand itself, to form in ever-changing patterns and take itself by surprise. [...]

[...] All order rises out of the creative elements of unpredictability. [...]

[...] Scientifically, such studies would vastly enlarge your concepts so that a loving technology could follow the most beautiful contours of the mind, rising on the natural mountains of human abilities and then more easily into fulfillment.

[...] Blood pressure rises in whole populations — stress signals in terms of hormones are activated, but you are not taught to recognize these natural signals. [...]

[...] A “framework of thin lines” is an apt description of the patterns formed by the high marsh grasses in the foreground of the photo, with the houses rising in the background as “cube formations... rising vertically.”

[...] I took it for reference for a future painting, and consists mainly of a mass of tangled marsh grass in the foreground; in the background rise a couple of average-looking houses, a telephone pole and some wires. [...]

[...] The mass rising vertically mainly. [...]

[...] This sense gives rise to most experiences of a revelationary character.